The score of this opera is particularly unclear in a few places, but I have followed the usual convention that when no part is given specifically for 'contralti', altos will sing the 'soprano' line, taking the lowest part in any split.
The score of this opera is particularly unclear in a few places, but I have followed the usual convention that when no part is given specifically for 'contralti', altos will sing the 'soprano' line, taking the lowest part in any split.